A photographic journey, including a selection of previously unpublished images, that reveal the man 'behind the scenes' at work and play. A new and often surprising portrait of this major musical genius. Benjamin Britten was one of the most important cultural figures in England in the twentieth century. Internationally renowned as a composer, performer, and founder of the Aldeburgh Festival and English Opera Group, he had a careerspanning nearly five decades, producing a series of works such as Peter Grimes and the War Requiem that caught the public imagination, and becoming a familiar figure to worldwide concert and TV and radio audiences through his conducting and song recitals with his partner, the tenor Peter Pears. Behind this public face, however, Britten was an intensively private man, who valued perhaps more than anything the time he spent at home on the Suffolk coast, composing and enjoying a settled domestic life. Britten in Pictures celebrates the many facets of Britten's life in a major new photographic treatment timed to coincide with the composer's centenary in 2013. Using the wealth of images housed in the collections of The Britten-Pears Foundation at Aldeburgh, the book charts the curve of Britten's life, using a selection of rare and previously unpublished images to reveal him anew in all phases of his career, catching a multitude of informal glimpses of the man 'behind the scenes' at work and play as well as in more familiar formal settings. The result is a new and often surprising portrait of this major musical genius. Published in association with The Britten-Pears Foundation.

An essay collection which examines Britten's juvenilia, influences such as Shostakovich and Verdi, his opera Owen Wingrave and a libretto written by Australian novelist Patrick White with the hope of a future collaboration. Benjamin Britten: New Perspectives on his Life and Work reveals the extent to which Britten scholarship is reaching outside the confines of Anglo-American criticism. The volume engages with juvenilia and other orchestral works from the 1920s and examines a broad range of influences on Britten, including the works of Shostakovich and Verdi, the poetry of Ovid, and the cinema. Among his operatic works the dramatic qualities of Owen Wingrave arediscussed through a close study of Piper's libretto and we witness the genesis of a libretto written by Australian novelist Patrick White and submitted to Britten with the hope of a future collaboration. The volume uncovers the generally hostile reception Britten's operas received in Paris until around the 1990s. Britten's status as 'outsider' in both the USA and in his own country when he returned in 1942 is discussed: the possibility is that Britten wasbecoming nervous of the gathering US involvement in the war and the real chance he may be called up to serve in the US forces is also discussed here.